I suggest against it. I've been playing since 1966 and have played some really cheap guitars, some really awesome, and some really difficult to play guitars. In another interesting development, in 2016 Yamaha debuted its TransAcoustic series of acoustic-electric guitars with built-in effects—sounds that can be accessed whether the guitar is played unamplified or plugged in. I have built in stereo chorus and reverb in my Fishman that work excellently with this Yamaha! I’ve explained this on my other review, so I’m gonna keep it short here. Select grade woods are also very much appreciated. The TransAcoustic line is an interesting cornerstone of Yamaha’s acoustic catalogue, with these particular guitars featuring cutting-edge electronics for the forward-thinking player. One reason why vintage acoustic guitars can be so highly prized is that the tone produced by many woods tends to get richer over time. It’s not precisely “strong” when it comes to humidity or temperature changes, so there’s that. Size aside, the materials used are top-notch when it comes to tonal quality. The TransAcoustic feature will exponentially improve your music effortlessly. Their bodies are smaller than standard size, and they’re more suited for music that’s intricate and detailed. This site uses Akismet to reduce spam. Mahogany tends to impart a dark tone, and scalloped bracing — created by shaving away or even simply removing parts of the wood braces inside the instrument — allows the top to vibrate more, creating a kind of halo around notes and chords. You can use those effects even without plugging it into something! Chances are you’ll soon find your smile returned many times over! I did a lot of research before buying this 6 string Yamaha L-series Transacoustic. A.R.E. I do thank you for your opinion .. It certainly was for me! But their quality is not cheap. Yamaha TransAcoustic TM is unlike any piano you’ve ever heard. Great review and especially like your opinion on real world environment we play in .. versus standard spruce top, rosewood versus mahogany back and sides, and non-scalloped versus scalloped bracing. It’s actually not ideal to bring an all-solid guitar for travel. Yamaha has come up with some electronic tomfoolery that actually improves on the natural sound of the guitar. Great for people with a smaller body frame, All-solid + Mature music (ARE technology), More comfortable for people with a smaller body frame, Easily change the battery + 10 hours life. Assembled with solid Engelmann Spruce and solid Rosewood. Different types have advantages over the other regardless of the price. I’m sure you know by now that aged guitars have insanely better quality. The Yamaha Transacoustic Guitar recreates that incredible experience without needing any external amplification or effects, just the guitar itself. You can’t find it on other guitars. Oh, and spoiler: It’s really addicting to play. In any case, here are some options you might like: The L-Series is one of Yamaha’s flagship guitars. So, if you have a petite body frame, you’re on the right track. One downside of an all-solid build though: I wouldn’t recommend it as a travel guitar. It features a Mahogany and Rosewood 5ply neck added with a double-action adjustable rod. But the only thing a guitarist has to do in order to access that reverb and an equally lovely chorus effect is to simply play the instrument. This particular version is the smaller scale of Yamaha LL TA. Invite music into your life with the stylish and inspiring STORIA series - guitars that reflect … As surreal as that first experience is, you quickly get used to it. Just three knobs to adjust the chorus and reverb. All-solid build means a remarkable projection and sustain. Between the two, there’s not much of a difference. With the CG-TA Transacoustic, Yamaha is now giving classical guitarists access to the innovative TransAcoustic technology. For the singer/songwriter in you, the FG-TA features a combination of solid spruce top, mahogany back and sides and scalloped bracing to create warmth, resonance and a bold sound. People with smaller body structures, since they’ll feel more comfortable. Certain things will make us smile here at MusicRadar, and Yamaha’s TransAcoustic is one of them. Hii. The LL-TA has a solid Engelmann spruce top that’s been treated with a Yamaha process called A.R.E. The LL-TA has a rosewood back and sides, and its bracing is non-scalloped, meaning that the pieces of wood used to brace the top are fairly uniform in their dimensions; these features equal a brighter, more direct sound. Standard-size acoustic guitars (also known as Western-body guitars or dreadnoughts) are bright and loud, with a pronounced bass resonance, perfect for strumming out big chords in rock, folk, and country music. LS TA has a concert while the LL TA has a traditional western. $1,079.99 $ 1, 079. The bracing also adds to the tonal quality. The TransAcoustic™ Piano features Yamaha's renowned SILENT Piano™ SH technology, so practice sessions can also be conducted with headphones. Yamaha’s TransAcoustic Guitar recreates the incredible experience of playing in a rich, live room without needing any external amplification or effects - just the guitar itself. Both this 6 string and my 3 year old 12 string have excellent action making playing almost effortless. Thank you for your interest. Transform your acoustic piano into a Yamaha or Bösendorfer concert grand, an electric piano, harpsichord, organ and more. The differences between them are the same as those between the LL-TA and the FG-TA: Engelmann spruce top with A.R.E. Knowing this secret, however, doesn’t do anything to diminish the strange magic being produced. That’s what it sounded like too, as I began playing. The bodies of both instruments are about an inch shorter than their standard-size counterparts. But even so, I found myself looking around the room for a hidden amplifier or a wireless connection to a remote pedalboard. The FG TA offers one more color, which is black. It’s the most inspiring, engaging acoustic guitar … Most Yamaha TransAcoustics are eligible for free shipping. Of course, Yamaha LS TA has an all-solid build. As one of Yamaha’s flagship series, you can rest assured that this one is comfortable. It’s not accurately resistant to environmental changes. With this convenient neck plus the exciting TransAcoustic feature: Check Pricing and Availability on Amazon.com. Basically, the LS-TA is what Yamaha call its 'Original Jumbo' body size, which, as the pictures reveal, is slightly less bulbous and more in proportion than jumbos offered by many other companies. The Yamaha FG TA and FS TA will provide you with warm tones and great mid and low ranges. Along with Yamaha LL-TA, LS TA has an ARE technology as well. This concert size is a very nice player - action is low, no buzz thanks to a good setup - and its bright voice is measured by a welcome warmth in the low-end. The FG-TA has a solid spruce top (with no A.R.E. I generally encourage beginning guitarists to start out on a classical instrument, for two reasons: First, the nylon strings of a classical guitar are easier on the fingers than steel strings in the early stages (i.e., before you develop calluses), and second, the wider neck of a classical makes for an easier transition to a narrower neck characteristic of a steel-string guitar if and when you want to move on. My favorite feature in a guitar is its materials or tonewoods used. …I play gentle picking and strumming… so,I still no idea Haha!! Even with a concert body, the Yamaha LS TA has a well-balanced, mature sound that you’ll love. The first time you play a Yamaha TransAcoustic guitar can be a surreal experience. Concert-size models are my personal favorite type of acoustic guitar. .. but anyways . As you’d probably expect, the sound produced by a parlor guitar is more intimate than that of its larger brethren. The concert guitar still has a well-balanced tone. The battery is also easy to change. We’ve already established the tonal quality of this guitar is impressive, right? All rights reserved. Indeed the TransAcoustic features are amazing. No matter which of these instruments you choose, you’re bound to enjoy the array of tones they place at your disposal — not to mention the surprised reactions those tones may elicit from listeners. 99. That’s the ARE technology. In fact, they look like typical acoustic guitars and, give them a strum, and they sound like normal acoustic guitars. The FG series is also one of Yamaha’s best guitar lines. Their deep, dark tone and roomier fingerboard make them ideal for classical repertoire, of course, as well as for Spanish flamenco, Brazilian bossa nova and American folk music. Yamaha LS TA’s price may also be a bit much for a beginner’s budget. And being able to aurally expand the size of the room you’re playing in, with no cables or plugs involved, is a pretty cool trick. Yamaha could have had added a better pickup. Whether you’re practicing, writing, recording or just playing for fun, the TransAcoustic Guitar … Though it’d be so much better to have a guitar that’s already comfortable from the getgo. That being said, there are still some factors that make it not ideal for some people. For a more premium sound, solid guitars are the way to go. Enter the CSF-TA—a mid-priced parlor guitar equipped with Yamaha’s TransAcoustic technology. Yamaha sent a U1TA for review, a piano that begins life as their 48-inch tall U1 upright—an instrument so widely used that the “U” should stand for “ubiquitous.” There’s also a TransAcoustic baby grand, the GC1TA, which measures in at five feet, three inches and a $31,099 list price. In other words, it belongs to the best of the best. I’m sure you already know this, but I’m gonna specify it either way. (Based on experience). Like the FS-TA, the CSF-TA has a solid spruce top and mahogany back and sides. It has a spruce top, ovangkol back and sides, and a neck that’s only about 3/8″ thicker than steel-string TransAcoustic models. Considerably smaller, in fact — the fingerboard of the CSF-TA is 23 5/8″ long, as opposed to just over 25″ on all other TransAcoustic models, and the instrument’s total length is 37″, at least two inches shorter than any other TransAcoustic. Do you ever wonder if you can improve your playing? This allows the chorus and reverb effect to be transmitted in room-filling and breathtaking quality without the use of amplifiers or external effects units. The TA series use Passive System + SRT Piezo Pickup. Emile Menasche demos the Yamaha CSF-TA, a mid-priced parlor guitar equipped with Yamaha’s TransAcoustic technology. On its own, Yamaha LS-TA is still an excellent guitar. It’s the most inspiring, engaging acoustic guitar you’ve ever played.It boasts an actuator installed on the inner surface of the guitar back vibrates in response to the vibrations of the strings. Do you want the effect of an “acoustic environment” and “12 string guitar”? If you’ve got big hands, the CSF-TA may not be for you, but if you prefer your guitars quiet, cute and easily embraceable, there’s no better choice. On the other hand, FG TA and FS TA would be more suitable for that. 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